Profiles

Malleable marble

LOUISE MARTIN-CHEW looks at the work of Alexander Seton which sits firmly in the tradition of realistic marble carving, yet is full of surprises.
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Animal kingdom romps and follies

PRUE GIBSON is fascinated by the intertwining of whimsical narrative, art historical reference and the sheer perfection of Kate Bergin’s paintings of birds and animals.
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Novel twists and turns

John Hart’s rendering of folded and crumpled material brings to mind the classical masters as well as the venerated tradition of still-life painting. PRUE GIBSON explores its appeal.
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A cultural excavator

VICTORIA HYNES explores the elements which combine to form the lush confections of Robyn Stacey’s still lifes.
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Niagara Galleries

TRENT WALTER looks at the history, the artists and the activities of one of Melbourne’s venerated galleries.
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Free radicals

JOSEPH BRENNAN applauds the original thinking which has made the Newcastle regional gallery one of the most interesting galleries in New South Wales.
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Yvonne Boag: mapmaker

ANNEMARIE LOPEZ takes a metaphorical journey with painter Yvonne Boag to arrive at a place of distinctive colour and robust form.
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Dark thoughts — darker tones

The mystery and transience of humanity expressed in the work of Margarita Georgiadis inspires PRUE GIBSON.
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A big subject: colour and light

PRUE GIBSON probes the subtlety and perfect self-containment of David Serisier’s canvases.
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Making light of solid colour

VICTORIA HYNES takes us on a journey through John Nicholson’s translucent and opaque confections.
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