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LOUISE MARTIN-CHEW looks at the work of Alexander Seton which sits firmly in the tradition of realistic marble carving, yet is full of surprises.
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PRUE GIBSON is fascinated by the intertwining of whimsical narrative, art historical reference and the sheer perfection of Kate Bergin’s paintings of birds and animals.
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John Hart’s rendering of folded and crumpled material brings to mind the classical masters as well as the venerated tradition of still-life painting. PRUE GIBSON explores its appeal.
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VICTORIA HYNES explores the elements which combine to form the lush confections of Robyn Stacey’s still lifes.
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TRENT WALTER looks at the history, the artists and the activities of one of Melbourne’s venerated galleries.
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JOSEPH BRENNAN applauds the original thinking which has made the Newcastle regional gallery one of the most interesting galleries in New South Wales.
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ANNEMARIE LOPEZ takes a metaphorical journey with painter Yvonne Boag to arrive at a place of distinctive colour and robust form.
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The mystery and transience of humanity expressed in the work of Margarita Georgiadis inspires PRUE GIBSON.
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PRUE GIBSON probes the subtlety and perfect self-containment of David Serisier’s canvases.
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VICTORIA HYNES takes us on a journey through John Nicholson’s translucent and opaque confections.
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